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AKG P170 Project Studio Condenser Microphone


Description
The AKG P170 small-diaphragm condenser microphone offers professional-grade quality and reliability for an amazing value. Perfect for recording drum overheads, acoustic instruments and ensembles, the P170 delivers incredibly accurate and transparent sound. Thanks to its cardioid polar pattern, the mic rejects unwanted sounds from the sides and rear. With a 20dB pad and durable construction, the P170 is ideal for any studio microphone collection.
Accurate Transient Response and Clarity
The P170 features a 1/2" true condenser transducer diaphragm that provides outstanding transient response and clarity. Its lightweight diaphragm translates even the most subtle sonic details with stunning accuracy. The P170 offers a level of quality typically found in far more expensive mics, capturing the natural tones of acoustic instruments, percussion and other sources with lifelike realism.
Rugged and Road-Ready
Although the P170 delivers studio quality results, it's built to handle life on the road. Its high-quality components are housed in a durable case designed to withstand the rigors of transport and performance. A steel mesh grille protects the condenser capsule and the mic's robust internal shock mounting prevents unwanted mechanical noise. The P170 gives you professional-grade condenser mic sound that goes wherever your music takes you.
Ideal for Stereo Recording
With its affordable price and matched performance, the P170 is perfect for purchasing in pairs. Its consistent polar pattern and frequency response allow for accurate stereo recording using two mics. For drum overheads, acoustic ensembles and other sources, a matched pair of P170 mics provides an authentic stereo image with stunning depth and realism.
Legendary AKG Quality
For over 70 years, AKG has been producing award winning microphones and headphones for professionals around the world. The P170 upholds AKG's commitment to excellence, delivering the brand's signature sound quality and German engineered performance at an unparalleled value. Experience the AKG difference with the high performance, low-cost P170 condenser microphone.



Features
- Frequency response: 20Hz to 20kHz
- Max SPL: 155 dB
- Sensitivity: 15 mV/Pa
- Capsule: Condenser
- Pattern: Cardioid
- Type: Mounted
- Primary: Studio
- Secondary: Stage
- Other: Not applicable
- Physical
- L x W x (D): 6.3 x 7/8"
- Weight: 4.6oz. (130g)
- Case: Pouch
- Clip: Hard rubber
WARNING: Cancer and Reproductive Harm www.P65Warnings.ca.gov.
Specs
- Audio Frequency bandwidth: 20 to 20000 Hz
- Sensitivity: 15 mV/Pa
- Equivalent Noise Level: 19 dB-A
- Signal to Noise: 75 dB-A
- Preattenuation Pad: -20 dB
- Electrical Impedance: <= 200 Ohms
- Recommended Load Impedance: >=1000 Ohm
- Polar Pattern: Cardioid
- Voltage: 44 to 52 V
- Current: <= 3 mA
- Type: Balanced XLR
- Gender: Male
- Contacts: 3-pin
- Height: 160 mm
- Diameter: 22 mm
- Net Weight: 130 g
Warranty
Amended July 19, 2005
AKG Acoustics warrants AKG products against defects in material or workmanship for a period of two years from the date of original purchase, and agrees to repair or, at our option replace any defective unit without charge for either parts or labor. AKG grants a three-year warranty covering selected products (C 12 VR, C 414 B-ULS, C 414 B-TLII, C 414 B-XLS, C 414 B-XLII, C 426 B, C 451 B, C 480 B, C 391 B, C 1000 B, C 2000 S, C 3000 B, C 4000 B, C 4500 B, SolidTube) against defects in material and workmanship.
Warranty is valid for AKG products purchased and delivered within the United States for the original purchaser only. The purchaser's Bill of Sale will serve as proof of sale and warranty validity in the U.S. Shipment of defective items to AKG for repair will be at the customer's own risk and expense. AKG will assume the return shipping cost for all items repaired under warranty.
IMPORTANT: This warranty does not cover damage resulting from accident, misuse or abuse, lack of reasonable care, the affixing of any attachment not provided with the product, loss of parts, or connecting the product to any receptacle other than specified.
This warranty is void unless AKG Acoustics, U.S.'s service center performs the repair. No responsibility is assumed for any special, incidental or consequential damages caused by the consumer. However, the limitation of any right or remedy shall not be effective where law prohibits such.
Featured Articles
Reviews
3.8
5 Reviews
50%
of respondents would recommend this to a friend
- Amateur Recording1
- Choir Stage Mic1
- Home Studio1
- Professional Recording1
- Not Durable1
- Poor support from manufacturer1
- Pricey / Poor Value1
- Unreliable1
- Experienced2
- Novice1
- Professional Musician1
- Compact3
- Easy To Use3
- Good Audio3
- Durable2
- Lightweight2
Reviewed by 5 customers
1308 NW 86TH ST
submitteda year ago
byBill
fromVancouver, WA
I bought one of these mics for my mic locker several years ago. It has never been out of my home studio, never been dropped or mistreated. I've used it a handful of times since I bought it. I took it out to use in a recording session last month and it didn't work. I contacted AKG (Harmon) tech support who said the problem could be "....corrosion in the components, aging of the components, wiring issues, diaphragm degradation, mechanical stress, etc.", and that they couldn't do anything about it since is was out of warranty. I'm shocked that any of these failure mechanisms could occur in a "quality" product that has spend its life in a climate-controlled environment and only been used a handful of times. I have "cheaper" mics (MXL, Behringer) that have performed flawlessly for years longer. I paid more for this mic when I bought it for the extra "quality". My guess is that AKG is used to the high profit margins they make on their expensive mics and that on a less expensive mic like this they expect the same margins, leading to scrimping on materials and workmanship to the point where the product has a substandard life expectancy. I don't recommend this mic, and I'll never buy another AKG product.
Good Choir Stage Mic
submitted6 years ago
byExtremely Blessed 67
fromConway, AR
I was looking for a way to make the stage "live" for our choir at our church. It was suggested that we use about 5 of these across the front. It picks up each section really well.
Very mediocre
Verified Buyer
submitted8 years ago
byPicky me
fromKaysville, Utah
This mic was purchased to record an acoustic guitar. After comparing it to the Samson Gtrack mic I decided to return it. The sound was a bit to muddy for me. The Gtrack sounded much better.
Good deal.
Verified Buyer
submitted9 years ago
byEd
fromundisclosed
I used these on cello, banjo, and cymbals for three days straight right out of the box. Very crisp, clear, subtle sound... more than good enough for live sound.
Stands up to the best in class...
submitted9 years ago
byAlan Glenn
fromDenver, CO
Wonderful versatile SDC. Amazing on all acoustic instruments. Stands up to microphones costing 10 times as much like the KM184. Oh... don't lose the stand adapter... I hear they are expensive! lol
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Q&A
Have a question about this product? Our expert Gear Advisers have the answers.
submitted4 months ago
asked byNate
fromEl Paso, TX
How well does it pick up hi-hat response
The AKG P170 is a small-diaphragm condenser microphone, and it actually performs very well when capturing hi-hat response—especially for its price range.submitted10 months ago
asked bySound Guy
fromundisclosed
Would this work for a choir mic
To an extent. Ideally, you would want more than one.submitted2 years ago
asked byChris
fromundisclosed
what type of cable plugs into this mic
Livewire Elite Quad XLR Microphone Cable