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Ampeg Classic Analog Bass Preamp Pedal

collapse expand iconDescription

The Ampeg Classic Analog Bass Preamp pedal is like having a choice of Ampeg amps right on your pedal board. Dial in a wide range of authentic Ampeg tones with the 3-band tone stack and highly flexible Ultra-Hi and Ultra-Lo circuits. It’s the most affordable way into the pure analog bass tone of Ampeg.
Ampeg Classic Analog Bass Preamp Pedal
Ampeg Classic Analog Bass Preamp Pedal
Ampeg Classic Analog Bass Preamp Pedal

collapse expand iconFeatures

  • Delivers a wide range of authentic Ampeg tones
  • Classic 3-band tone stack plus volume
  • Ultra-Hi and Ultra-Lo circuits for tonal flexibility
  • True bypass, analog design with incredible signal-to-noise ratio
  • Roadworthy all-metal chassis construction
  • 9V DC supply or battery capable (not included)

collapse expand iconWarranty

On May 1st, 2009, the Mackie, TAPCO, Crate, Blackheart and Ampeg websites will be updated with the addition of warranty URLs (e.g. www.mackie.com/warranty) expressing new A Stock warranty terms. These warranty URLs will go live on May 1st, 2009. Formerly, warranty periods for these LOUD brands appeared in a variety of locations – in product manuals (for Mackie and TAPCO) and on warranty cards and hang tags (for Crate, Blackheart and Ampeg). In order to streamline and clarify this process, Mackie, TAPCO, Crate, Blackheart and Ampeg warranty periods and terms will be communicated in full on the warranty pages. Any LOUD products purchased prior to May 1st will bear with them the manufacturer’s warranty as predates the new policy. Moving through this transition, in order for customers to obtain warranty service, both the sales receipt and a physical copy of the (older) warranty statement will be required by our Service and Support departments in order to issue Service Requests, etc. If the product was purchased on or after May 1st, 2009, but a physical copy of the older warranty terms is not presented, the new warranty terms and periods will apply. Meanwhile, the products that bear with them the new warranty periods (as reflected in the box contents of each product) are being tracked by serial #, and contain new warranty content referring customers to the appropriate brand website. The information below reflects the product warranty periods that will be effective on May 1st, 2009 for the Mackie, TAPCO, Crate, Blackheart and Ampeg brands: Mackie: A 3-year, nontransferable, inclusive warranty on electronics and a 2-year, nontransferable, inclusive warranty on drivers (where applicable) apply to loudspeakers (active and passive), power amps, powered mixers, and HR studio monitors. Specific models under this warranty include all SRM, HD, SA, C and S Series Speakers, all FRS Amplifiers, all HRmk2 Studio Monitors. A 1-year, all inclusive, nontransferable warranty applies to all mixers, MR Studio Monitors, Control Surfaces, Processors (digital), MR Studio Monitors, Control Surfaces, Audio/MIDI Interfaces, other SR & Recording Products. Specific product models under this warranty include all Onyx Compact, 4-bus and 8-bus, all VLZ3, all PPM, all ProFX, all CFXmk2 Mixers, all MR Studio Monitors, Big Knob, Onyx 800R, all MCU Pro family. Tapco: A 1-year, all inclusive, nontransferable warranty applies to all products and all models. Crate: A 1-year, nontransferable warranty applies to electronics and speakers on all models of MI amps, cabinets, and combos. 90-day warranty on all tubes Blackheart: A 1-year, nontransferable warranty applies to electronics and speakers on all models of MI amps, cabinets, and combos. 90-day warranty on tubes. Ampeg: A 5-year, nontransferable warranty on electronics and a 2-year, nontransferable warranty on speakers apply to all SVT Classic and Pro Series, MI amps and cabinets. A 2-year, nontransferable warranty on electronics and a 2-year, nontransferable warranty on speakers apply to all B Series, all Diamond Blue, and all BA combo amps. 90-day warranty on tubes.

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collapse expand iconReviews

4

5 Reviews

67%

of respondents would recommend this to a friend

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  1. Performances2
  2. Professional Recording2
  3. Home Studio1
Cons
  1. Poor Sound Quality1
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  1. Experienced2
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Pros
  1. Compact2
  2. Excellent Sound Quality2
  3. Good Power Output1
  4. Sounds like the real deal1
  • Gave me the boost and sound I was looking for

    4

    submitted2 years ago

    byCesar

    fromChicago

    Gave me the boost and sound I was searching for

  • Wish I Had Seen this Sooner

    5

    submitted5 years ago

    byYoPete

    fromSilver Spring, MD

    I once own an Ampeg B15. Sorry I sold it now that the tone is considered the gold standard. This pedal gets me extremely close and I don't have to deal with an 80-90 lb. monster. Love it!

  • Ampeg SVT in your hand

    5

    submitted5 years ago

    byJimmy Luxury

    fromPalm Desert

    The Ampeg SVT bass sound without hassle. I've found the tones to be great and the pedal to be quiet and recording friendly! I have primarily used a Fender P bass with roto-sounds and have consistently achieved great reviews about the bass guitar sounds.

  • Noisey

    1

    submitted7 years ago

    byRob

    fromFairfax USA

    If you like hiss this is the pedal for you.

  • Was exactly what I was searching for

    5

    Verified BuyerVerified Buyer

    submitted8 years ago

    byTHOMAS

    fromundisclosed

    I use this to shape my tone going to the board. Really gives the Ampeg Tone.

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collapse expand iconQ&A

Have a question about this product? Our expert Gear Advisers have the answers.

  • asked byIRONHAND

    fromCuLVER CITY, CA. 90066

    ONE REVIEW SAD IT HAD HISS.
HOW QUIET  IS IT? 
IS THAT A DEAL BREAKER?

    ONE REVIEW SAD IT HAD HISS. HOW QUIET IS IT? IS THAT A DEAL BREAKER?

    Open Reply - Gear-Support
    The Ampeg Classic Analog Bass Preamp Pedal is generally considered to have low noise, especially for a pedal in its price range and with its analog design. Here's a breakdown of what to expect: Noise Level Overview Circuit Design: It’s an all-analog preamp with Ampeg’s classic tone stack, and it does not include any digital processing, which helps keep the inherent noise lower. Bypass Type: It features true bypass, so when it’s off, it won’t add noise to your signal. Active Use Noise: When engaged, users report minimal hiss or hum, assuming: You’re using clean power (isolated supply, not daisy-chained). You’re not pushing the gain or ultra-high/ultra-low switches to extremes. The rest of your signal chain is properly grounded and shielded. Typical Use Scenarios In live or studio situations, it’s quiet enough to sit in a pedalboard chain without being a noise issue. When boosting gain or stacking with other pedals, you may notice some slight hiss, but that’s common with most analog preamps. Tips for Keeping It Quiet Use an isolated power supply (9V center-negative, ideally 100mA or more). Keep it away from high-noise pedals like digital modulation or switching power supplies. Avoid excessive EQ boosts—cutting is quieter than boosting.
  • asked byAndy

    fromMountain View CA

    Does it give a better sound with a J Bass playing into the Ampeg 2x10 Rocket combo ,,,which already has a preamp in it? I lwant that Marcus Miller slap sound

    Does it give a better sound with a J Bass playing into the Ampeg 2x10 Rocket combo ,,,which already has a preamp in it? I lwant that Marcus Miller slap sound

    Open Reply - Thomas
    It claims an Ampeg sound. As far as I know Marcus Miller plays a Markbass