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Audix

collapse expand iconDescription

Includes one Audix D6 Sub Impulse kick microphone, one Gear One 20' mic cable, and one DR Pro DR-256 low-profile tripod mic stand with fixed boom.

Audix D6 Sub Impulse Kick Microphone:
The Audix D6 Sub Impulse kick microphone is great onstage or in the studio for kick drums, percussion, and bass cabs. The special edition D6 drum mic has a cardioid pickup pattern and a frequency response of 30Hz to 15kHz. Its transformerless design, low impedance, and balanced output allow interference-free performance even with long cable runs. One-piece body precision machined from solid aluminum.

Gear One Microphone Cable:
For serious-minded musicians, Gear One's XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable's superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.

DR Pro DR256:
The DR Pro DR256 is a basic low-profile tripod microphone stand with telescoping boom. The boom is 19" and extends to 31". It is height adjustable from 9" to 17". The tripod legs extend to 19" per side.

Dedicated to manufacturing premium stands for the professional studio musician, DR Pro gear is sure to deliver superior performance. Their gear is strong, lightweight, and uses a durable powdercoated finish paint, tougher tubing, and precision mechanical parts. Plus, DR's industry-standard designs make it easy to integrate DR mic stands into any studio or stage setting.
Audix D6 Kick Drum Mic with Cable and Stand
Audix D6 Kick Drum Mic with Cable and Stand
Audix D6 Kick Drum Mic with Cable and Stand

collapse expand iconFeatures

Audix D6
  • :
  • Designed for low-frequency reproduction
  • One-piece body precision machined from solid aluminum
  • Cardioid pickup pattern
  • Dynamic transducer
  • Frequency response of 30Hz-15kHz
  • 144dB max SPL
Musician's Gear MS-220
  • :
  • Thread adapter
  • Tubular leg
  • Adjustable height from floor to top thread 35" to 61-7/8"
  • Fixed boom: 30-1/4"
DR Pro DR256
  • :
  • Built to surpass industry standards
  • Fully adjustable stand
  • Lightweight construction Powdercoated finishes
  • Stronger tubing
  • Precision machining
  • Height adjust: 9"-17" Telescoping boom adj.: 19"-31"
warning

WARNING: This product can expose you to chemicals including Diisononyl phthalate (DINP), which is known to the State of California to cause cancer. For more information go to www.P65Warnings.ca.gov

collapse expand iconWarranty

One year parts and labor warranty (if no signs of abuse) on all mics.

Featured Articles

collapse expand iconReviews

5

2 Reviews

0%

of respondents would recommend this to a friend

Reviewed by 2 customers

  • Great for Recording

    5

    submitted11 years ago

    byThomas

    fromSeattle, Washington

    At first I tried to buy a Beta52 but when the Guitar Center near me didn't have any in stock, I walked out with the D6 instead and couldn't be happier. This mic is exactly what i needed for my growing home studio and gave me good tone and punch from my kick drum without much mixing. Definitely better for recording rather than a live show but you can always get a good sound from it.

  • Everything you need!!!!

    5

    submitted15 years ago

    byWilly Franklin

    fromPittsburgh, PA

    So, I know I wanted the Mic... and I needed the stand and cable, so this was a no brainer!!! I was expecting the stand to be a cheap thing, but was pleasantly surprised to find out that it's actually pretty HEAVY DUTY!! The cable? Well, it works... Still a great value... On to the D6 - I had read many reviews about this mic so I kind of knew what to expect, and well, this mic is killer!! Great for kick drum (of course) but also shines on Cajon!! Because of it's high range, the D6 on a Cajon works out great! We used to have to use two mics on it. One in the hole and a condenser out front to capture that "slap!". The D6 picks up everything very nicely!! I used it also to mic a bass cabinet. It made for a great modern rock sound. Scooped mids... I would probably use this mic in conjunction with maybe a SM57 for recording to get some of those mids back...

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