Audix

collapse expand iconDescription

The FP7PLUS eight-piece drum mic pack gives drummers an affordable set of high-quality microphones to capture their drum kit. You'll get a combination of dynamic and condenser mics tuned for each part of your kit, from kick drum to cymbals. The three f2 mics are ideal for your rack and floor toms, producing a full, balanced tone. The f5 snare mic delivers crisp articulation and pop, while the f6 kick drum mic captures low end with clarity. Three f9 condenser mics provide shimmering reproduction of your cymbals and hi-hat. Whether recording at home or performing live, the FP7PLUS drum mic pack gives you the mics you need to achieve excellent drum sound. Built rugged to handle the demands of gigging and rehearsing, these mics also provide an ideal solution for schools, houses of worship and project studios on a budget. Capture your drums with the rich, resonant sound they deserve using the FP7PLUS eight piece drum mic pack.

Audix FP7PLUS 8-Piece Drum Mic Pack
Audix FP7PLUS 8-Piece Drum Mic Pack
Audix FP7PLUS 8-Piece Drum Mic Pack

collapse expand iconFeatures

  • Eight-piece drum mic pack with dynamic and condenser mics
  • Tuned f5 snare mic, three f2 tom mics, f6 kick mic, three f9 overhead mics
  • Ideal for live stage use, also great for rehearsal and recording
  • Affordable excellence for drums

collapse expand iconWarranty

One year parts and labor warranty (if no signs of abuse) on all mics.

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  • asked byJimmy

    fromAnniston, AL

    What is the best way to get a good sound out of these in a PA system? Will each mic need its own channel and cable?

    What is the best way to get a good sound out of these in a PA system? Will each mic need its own channel and cable?

    Open Reply - Gear-Support
    Best Practices for Good Sound: Use a Quality Mixer: Ensure your PA system has a mixer with enough channels and preamps. Proper Mic Placement: Position the mics for optimal tone—e.g., D6 just inside the kick, i5 on snare edge, D2/D4 on toms, and the ADX51 overheads about 3–4 feet above cymbals. Gain Staging: Set gain levels on each channel to avoid clipping while keeping signal strong. EQ Smartly: Cut lows from overheads/snare. Boost lows on kick/toms. Scoop mids slightly for clarity. Use a Drum Submix (optional): Route all drum mics to a subgroup if your mixer allows, for easier control. 🔌 Do I Need a Channel for Each Mic? Yes, each mic requires its own XLR cable and its own mixer channel. That means 8 XLR cables and 8 open channels for: Kick (D6) Snare (i5) 3x Toms (D2s/D4) Hi-hat (ADX51) 2x Overheads (ADX51s) If your mixer doesn’t have enough channels, prioritize kick, snare, and overheads.
  • asked byJimmy

    fromAlabama

    Are Audix mics what Todd Zucherman uses?

    Are Audix mics what Todd Zucherman uses?

    Open Reply - Gear-Support
    I’m sorry, I don’t know.