Audix

collapse expand iconDescription

The OM7 microphone from Audix delivers a clear, natural, and undistorted sound, even under the most challenging concert conditions. Designed specifically for pro touring, the OM7 mic features a controlled low-gain output stage resulting in significantly higher gain before feedback. The OM7 has an extreme hypercardioid pattern with an ultralinear 45Hz–19kHz frequency response and 144dB SPL handling.
Audix OM7 Microphone
Audix OM7 Microphone

collapse expand iconFeatures

  • Designed specifically for pro touring
  • Delivers a clear, natural and undistorted vocals
  • High gain before feedback
  • Extreme hypercardioid pattern
  • Ultralinear 45Hz–19kHz frequency response
  • 144dB SPL handling

collapse expand iconSpecs

  • 150 ohms impedance
  • mV/Pascal Sensitivity: -9mV
  • Rejection off-axis: >30dB
  • Max SPL: 144dB

collapse expand iconWarranty

One year parts and labor warranty (if no signs of abuse) on all mics.

Featured Articles

collapse expand iconReviews

3.75

4 Reviews

0%

of respondents would recommend this to a friend

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Cons
  1. Pricey / Poor Value1
  2. Unreliable1
Describe Yourself
  1. Experienced1
  • Never again

    1

    submitted9 years ago

    byPMo

    fromNJ

    Horrible mic. Could never get it to be loud enough. 18 months in and it completely died. Guitar Center did nothing to stand behind it so done with them alos

  • Exactly what it claims.

    5

    submitted16 years ago

    byRandy

    fromChicago

    I've got what you would call the "itch" for new gear and trying out different mics to see what fits each situation best. It's lead me to buy a ton of different mics over the past few years and this OM7 is rock solid. As they clearly state in the manual, you have to stay right on top of the pickup pattern (within two inches) otherwise your signal drops drastically. As soon as you master the mic technique you are golden. I have yet to hit feedback and the sound reproduction is great. The proximity effect is little to none which is great because you have to bury this mic in your face to get a signal. Cranked gain and very little signal bleed from surrounding instruments. Perfect fit for tight venues with loud stage volumes (which seems to be most venues unless you are playing huge venues in the city). Grade A in my book. You get what you pay for.

  • So far so good...!

    5

    submitted16 years ago

    bytufluk.net

    fromCrawfordsville, IN

    I've played 3 gigs with this mic so far and I love it. I used to sing through a Shure Beta 58a(a good mic also by the way). When I'd scream on a heavier song it got distorted and muddy. This mic totally eliminated that. It does take some getting used to. The sweet spot for this mic is about 2 inches away. More than three and it drops off pretty quick. I've had to abandon the "Shure Method" and try stay on the mic as much as I can. I can turn my monitor up nice and hot now without any feedback. Awesome mic!!!

  • solid performer

    4

    submitted17 years ago

    byTerry

    fromFlorence Or.

    have had one of these mics in use for 3 months. It cuts thru with all the clarity needed in a hard rock venue. Brighter than the EV's and sure betas we use without losing the low end. Higher gain before feedback. We like them enough to replace all our vocal mics currently in use.

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