Electro-Voice

collapse expand iconDescription

The Electro-Voice ND96 dynamic supercardioid vocal microphone features exceptionally high gain before feedback that is extremely effective on loud stages. Its shockmounted capsule minimizes handling noise, which helps to eliminate low-frequency bumps and thumps from reaching the PA. Use the ND96 with confidence near speaker cabinets and EMF-generating equipment racks thanks to its humbucking coil that helps guard the mic against line hum. The Memraflex grille is a durable tight-mesh deigned to withstand extraordinarily rough treatment from the road and consistent use. 

ND96’s structural and acoustical functions allow the mic’s signal to be pushed through an incredibly loud ambient volume without risking feedback, and its selectable voice presence booster reduces certain low-mid frequency areas and emphasizes key upper-midrange vocal presence areas for a more profound vocal edge when driving the voice higher in the mix.
Electro-Voice ND96 Dynamic Supercardioid Vocal Microphone
Electro-Voice ND96 Dynamic Supercardioid Vocal Microphone
Electro-Voice ND96 Dynamic Supercardioid Vocal Microphone

collapse expand iconFeatures

Audio
  • Analog or digital: Analog
  • Frequency response: 140Hz to 15kHz
  • Max SPL: 140 dB
  • Connectivity: XLR
Pattern and type
  • Capsule: Dynamic
  • Polar pattern: Supercardioid
  • Type: Handheld
  • Applications: Stage, Live sound
  • Diaphragm size: Large diaphragm
  • Switches: Vocal presence 
  • Phantom power required: No
Size and weight
  • Width: Info not available
  • Height: Info not available
  • Depth: Info not available
  • Weight: 1.3 lb.
Included accessories
  • Case: Info not available
  • Clip: Info not available
  • Shockmount: Internal
  • Power supply: No

collapse expand iconSpecs

Audio
  • Analog or digital: Analog
  • Frequency response: 140Hz–15kHz
  • Max SPL: 140dB
  • Connectivity: XLR
Pattern and type
  • Capsule: Dynamic
  • Polar pattern: Supercardioid
  • Type: Handheld
  • Applications: Stage, Live sound
  • Diaphragm size: Large diaphragm
  • Switches: Vocal presence 
  • Phantom power required: No
Size and weight
  • Width: Info not available
  • Height: Info not available
  • Depth: Info not available
  • Weight: 1.3 lb.
Included accessories
  • Case: Info not available
  • Clip: Info not available
  • Shockmount: Internal
  • Power supply: No

collapse expand iconWarranty

Microphones: 3 year full replacement
Wireless: 2 years
Speakers: 3 years active, 5 years passive

Featured Articles

collapse expand iconReviews

4.82

11 Reviews

90%

of respondents would recommend this to a friend

Most Liked Positive Review

5

Works for me

I have used mostly Shure products for most of my life for my live vocals, SM58, SM57, Beta 58, Beta87A, but also a Beyer TX60 for a while. My voice is not as loud and my tone is somewhat darker than most ppl. Finding a good live mic has been very difficult and I've come to depend on the soundman to sort things out. Sometimes this is not been such a good idea. Honestly I had no idea a mic like this existed until one month ago when I walked into a GC and A/B'd it against the Beta 87A that I was currently using (along with a handful of other mics). The EV-ND96 is louder than all of these with MUCH less feedback and a clear crisp sound. It does remove some lower midrange that all the Shures seem to have but get over it - this mic works! That lower midrange just muddies my voice up I realize. The top end is there, but amazingly it does not catch that feedback frequency that other mics in it's class do. If you are looking for a mic that has tons of gain before feedback and clears up the lower midrange in your voice - while still providing treble cut and definition - than this is the mic for you. I love it

VS

Most Liked Negative Review

3

Not for my Taste

So just my opinion here. Sounds a bit Nasaly to me, maybe its just my voice, which is on that side of things to begin with. The low end is non existent here for the most part, but that is in the specs. I a/b it with the SM58 and the 58 was just warmer. I scooped out 1k-5k a little and it seemed to calm it down a bit. Great build constriction and design. It's just not for me.

Filters
Best Uses
  1. Performances10
  2. Home Studio3
  3. Outdoor Events / Games3
  4. Church2
  5. Amateur Recording1
Cons
  1. Reminds me of a SM58 Beta1
  2. Unreliable1
Describe Yourself
  1. Experienced7
  2. Professional Musician3
Pros
  1. Good Audio9
  2. Durable6
  3. Easy To Use5
  4. Versatile4
  5. Compact2
  • yes I would buy this microphone again if anything happened.

    5

    Verified BuyerVerified Buyer

    submitted2 years ago

    byVito

    frompalm city florida

    Submitted as part of a sweepstakes

    excellent sound for a dynamic stage mic, very well controlled proximaty effect, excellent on plosives very good feedback rejection and very low handling noise.this is an excellent stage mic. ev also made some improvements on durability issues.

  • Awesome Mic

    5

    submitted3 years ago

    byPaul

    fromVenice FL

    I have been using seinheser 835 and is a really good mic. I took a chance on this mic all I can say I wow! I love it and this is now my go to. You won't be disappointed just buy it!

  • I would buy it again.

    5

    Verified BuyerVerified Buyer

    submitted4 years ago

    byLuan, N

    fromGarden Grove

    It great sound, I really like it..

  • Natural sound with nice working distance

    5

    submitted5 years ago

    byRick

    fromLouisville KY

    I play solo acoustic with vocals and on occasions a trio. I have used an ev nd 767 for years. Been playing 33 years in many settings and run sound for some large events. There are are allot of good mics out there and everyone has different styles and habits of how they work the mic but the Ev mics seem to shine a little more in natural clear response. Proximity effect and working range have always been a bit of an issue with a natural sounding mic. It always seems to limit your distance And makes it easy to get out of the sweat spot Especially when in a high energy setting trying to add more dynamics to your vocals. This Ev Nd 96 solves that as you can work the mic a bit father out and right on the mic screen without worrying about the changes in the eq as you work the mic. It's hard to have problems with popping P's or B's or S's even singing loudly right against the mic screen with this 96. Well done EV . I believe due to the larger diaphragm in this mic it feels a bit more open sounding to even when your right on it. Not going to replace a good studio condenser mic for recording as far as I can tell right now but the best dynamic mic I've used for that . But live solo acoustic vocals it's a very condenser like feel without proximity effect right on it. The working range is pretty amazing and reject feedback well For as clear Sounding as it is.

  • Great mic with a versatile sound

    5

    submitted6 years ago

    byMatty

    fromCharleston

    I bought this mic as an alternative to buying the RE-20. Obviously the RE-20 is better but, with a little adjustment, this one can sound pretty close. I primarily use to for live vocals and podcasting. It's very warm and has great low end. It is marvelous for male vocals and more intimate vocals. I 100% recommend this mic. Only thing I don't like is the shape. It's a fine shape for live but it's a little weird for the podcast.

  • Not for my Taste

    3

    submitted6 years ago

    byAutoman

    fromSan Mateo, Ca

    So just my opinion here. Sounds a bit Nasaly to me, maybe its just my voice, which is on that side of things to begin with. The low end is non existent here for the most part, but that is in the specs. I a/b it with the SM58 and the 58 was just warmer. I scooped out 1k-5k a little and it seemed to calm it down a bit. Great build constriction and design. It's just not for me.

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