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Touché

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Initially it may be hard to understand exactly what Touché is, but that’s because there isn’t anything quite like it. Touché is an ultra-expressive controller that reacts to the smallest pressure, the slightest vibration you apply to it, allowing you to feel and experience music with the sensitivity of touch. Press and slide your hand on the surface to modify the sound of your synths. Soft or hard gestures will influence the intensity of the sound. Percussive or progressive gestures will influence the rhythm of the sound. It’s all powered by the brains of Lié, the companion software that comes along with Touché. It hosts your virtual synthesizer plug-ins, letting you play with included sounds and presets, and also features an intuitive mapping interface for setting up what parameters are modified with each gesture.

There are four shiftings which you can assign one or multiple parameters of your synth to, including top, bottom, left and right, but the real power is the blend between these modes for a world of sound that would be virtually impossible without an extra set of hands or an extensive amount of automation. Touché also comes with built-in MIDI and CV Ports for direct connection with your favorite synths. With the help of Lié, you can save up to 24 different MIDI /CV configurations inside Touché, and get rid of your computer. Colored LEDs then lets you know which configuration is selected when operating in stand-alone mode with your favorite hardware synthesizers. The best way to understand what’s great about Touché is to watch and listen what it’s capable of.


Expressive E Touche MIDI/CV/USB Expression Controller
Expressive E Touche MIDI/CV/USB Expression Controller
Expressive E Touche MIDI/CV/USB Expression Controller

collapse expand iconFeatures

  • Four shiftings: top, bottom, left and right
  • Adjustable shifting sensitivity
  • Great Amplitude of presure feedback
  • Extreme sensitivity, detect the smallest movements
  • Hard Surface ideal for rhythms
  • Skin made of mahogany wood
  • 150 Factory presets for the included UVI Workstation plug-in
  • 150 Software presets for Massive, Diva, Sylenth and more
  • 70 Templates to help you create your own hardware presets
  • 100 Hardware presets for synths from Moog, Korg, Arturia, Roland and more

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  • Wonderful gear, flawed by terrible Midi implementation

    3

    submitted6 months ago

    byMichael

    fromMidewest

    After using the Touche for a couple hours and watching about 15 introduction videos, I was about to pack it up and return it (bought it at Guitar Center for that very reason). I may just wait though to see if I can figure out how to use it as a midi controller for my hardware synths. I have had a heck of a time figuring out how to use it with any of my hardware synths (basically gave up), even though it comes with presets for the Hydrasynth and Korg Kronos, both of which I own. I used the Lie program to tweak the Hydrasynth Preset for some modulations, but when I tried to use it as midi controller for the Hydrasynth, the Hydrasynth kept hanging on midi data messages from the Touche, and I had to restart it a few times. I thought about returning it for the SE version (which I could buy on Reverb for less than half what I paid for the "flagship" (non SE) version and just use it with EE's pretty incredible Falcon and home-brewed VST presets (physical models of strings) which I also bought, but then I started tinkering with the CV outs on the Touche connected to a Voltage Lab 2, Hydrasynth and Iridium, and had a blast. I'm still not sure it's a keeper, even with this though, if I can't use it with MIDI for any of my other synths. I've watched all the Expressive E videos on using it with Hardware synths, and I am still baffled. I am spoiled, I guess, with USB and midi connection stuff mostly just working out of the box these days, and yet this otherwise incredible and beautiful piece of gear just doesn't, unless using with the VST presets created by EE or using CV (then its dead-on simple). I also really, really hate the way they implemented remembering which preset is which in standalone mode--that itself might be most of the problem: maybe I am just using the wrong preset for sending midi messages to my hardware synths because I can't tell which variety of which color of which preset I am using. Dumb idea on their part. It turns out I am glad it is not capacitive touch. It is just the right size to sometimes hold the whole thing lightly cradled in one hand, almost like a very large mouse or joystick, and apply slight pressure to the forward, rear, and sides, and move it around that way. In that sense it becomes very natural, organic and (forgive me) but maybe also sensual? finger tapping, swooshing with my fingers backward and forward is also cool. These are all reasons I'd be happy to keep it. It really is too bad the midi side is, as they might say in the UK, such a faff (I'd say either just terrible implementation or I am just not as smart as I used to be).

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