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Heil Sound PR 22 UT (Utility)


Description
The PR 22 UT has been designed for recording, live sound reinforcement. And commercial broadcast applications. This is a very rugged microphone, making it ideal for professional use where exceptionally low handling noise is needed.
The PR 22 UT achieves its exceptional performance by using a special magnet structure and a large aluminum 1-1/8" low-mass voice coil assembly. A very unique internal sorbothane suspension system has been designed to reduce undesirable handling noise. Special attention has been paid to the phasing plug assembly with equally placed ports that sense audio from behind the source entering them out of phase. This produces a very linear cardioid pattern and reduces the proximity effect while achieving the extreme articulation across its smooth 50Hz-18kHz frequency response.
This new Heil element is usable in extreme high sound pressure levels and is immune to overload conditions making it perfect for vocals. It produces a beautifully smooth audio response without the inconvenience of phantom or outside DC powering. This is one great live vocal microphone that has finally replaced the "ball mic" of the 1970s.
All Heil PR 22 UT microphones come in a leatherette carrying bag with mic clip, one stainless mesh grill, and an acoustical foam windscreen.
Bob Heil explains the difference:
Heil Sound's president and founder Bob Heil explains, "The PR 20 is shipped standard with an abundance of accessories which includes interchangeable gold, silver, and black screw-on grill screens, plus a plush padded carrying case. While many customers appreciate and use these items, there is a large group of musicians, sound companies and contractors who need a simple 'one-take' PR 20. By streamlining the packaging, we can dramatically lower the price without one single alteration to the microphone itself. Think of the PR 20 UT as a PR 20 without the 'bling'!"

Features
- Exceptionally low handling noise
- Perfect midrange articulation
- Wider frequency range
- Great for miking snare drum
- Heavy steel construction
Specs
- Generating element: Dynamic with strong neodymium magnet assembly
- Frequency response: 50Hz-18kHz
- Polar pattern: Cardioid, uniform front-to-back discromination
- Impedance: 600 ohm, balanced
- Output level: -55dB @ 1kHz
- Output connection: 3-pin XLR
- Finish: Black with stainless steel mesh grill
- Weight: 14 oz.
Featured Articles
Reviews
5
9 Reviews
100%
of respondents would recommend this to a friend
- Performances2
- Amateur Recording1
- Home Studio1
- Outdoor Events / Games1
- Professional Recording1
- Experienced1
- Novice1
- Professional Musician1
- Durable3
- Good Audio3
- Lightweight2
- Easy To Use1
Reviewed by 9 customers
Buy this mic!
submitted5 years ago
byIan
fromDenver, CO
A friend recommended this microphone after I thoroughly hated the sound of the SM58 in some live recordings. I needed a handheld mic for the vocalists while also trying to multitrack record in a live scenario. This mic blew me away. It's worth having in your arsenal. I haven't tried it on a snare yet, but I have no doubt it will also be my go-to for snare.
Clean, crisp vocals!
submitted5 years ago
byJetson
fromWV
Mic is so clear it helps me improve my vocals.
Another quality mike.
Verified Buyer
submitted7 years ago
bySeals on Bass
fromUpstate New York
This Heil PR22 UT is an accurate, feedback free microphone that is a pleasure to use at a gig. Your voice won't get lost in the mix, unless your band is extremely loud. It looks good, sounds good and seems tough enough to take some abuse, ( which it will never get from me ). The things that were left out of the UT, utility package, are things that most gigging musicians would never need, and are not worth the additional cost. Apparently, someone at Heil must be practical!
A great choice for the price.
Verified Buyer
submitted9 years ago
byLARRY
fromundisclosed
Most mics of this type roll of the low end to reduce handling noise. This one doesn't, which helps with male voices or any signals with significant low end content. I got it to to complement my AT2050 for mid-side recording, the results are excellent. You can't beat for the price.
Love it! Love it! Love it!
submitted10 years ago
byDavid
fromClarksville, Tennessee
I have never liked the sound of my own voice. To me, it has always sounded muddy and nasally. As a result, I have always felt very intimidated by the prospect of singing in our band. Fortunately, I was happy to be one of the backing musicians anyway. And we always used those industry standard 57s and 58s. I heard good things about this mic and so, I thought why not? Guitar Center offered me 30 days. So, I've used this mic for some six months now and I'm not giving it up. At first, the differences between this and the standards didn't seem really super noticeable. We don't have a piano player so, when we decided to play some piano songs, I quickly jumped off the guitar and started learning the piano. The next step was that I learned songs that I knew the words to and the other band members said that I should go ahead and sing the leads on those numbers. This mic has honestly made this possible because when I hear MY voice in the monitor, it actually sounds good to me. It is very confidence inspiring. I asked the other guys if this is actually what my voice sounded like to them and they all said "Absolutely!" Seriously, I give the credit to this mic and suddenly I'm enjoying an entirely new avenue of musical expression for me.
Love it! Love it! Love it!
submitted10 years ago
byDavid
fromClarksville, Tennessee
I have never liked the sound of my own voice. To me, it has always sounded muddy and nasally. As a result, I have always felt very intimidated by the prospect of singing in our band. Fortunately, I was happy to be one of the backing musicians anyway. And we always used those industry standard 57s and 58s. I heard good things about this mic and so, I thought why not? Guitar Center offered me 30 days. So, I've used this mic for some six months now and I'm not giving it up. At first, the differences between this and the standards didn't seem really super noticeable. We don't have a piano player so, when we decided to play some piano songs, I quickly jumped off the guitar and started learning the piano. The next step was that I learned songs that I knew the words to and the other band members said that I should go ahead and sing the leads on those numbers. This mic has honestly made this possible because when I hear MY voice in the monitor, it actually sounds good to me. It is very confidence inspiring. I asked the other guys if this is actually what my voice sounded like to them and they all said ""Absolutely!"" Seriously, I give the credit to this mic and suddenly I'm enjoying an entirely new avenue of musical expression for me.
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