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RME Audio Fireface Series

RME

collapse expand iconDescription

High-Performance Audio Interface With 60 Channels

The RME Fireface 802 is the next chapter in interface excellence, renewing the legacy of the Fireface 800 with unmatched power, performance and flexibility. With 60 channels of pristine audio, high-end mic preamps, reference-class converters, a deep effects suite and operation up to 192 kHz, this is pro-level integration at its best.

Ultra-Low Latency and Trusted RME Stability

You get ultra-low latency via USB or FireWire, paired with the rock-solid RME driver performance engineers rely on. It features active jitter suppression, individually switchable reference levels for every input and output, full standalone operation and RME’s DIGICheck metering and analysis toolbox—plus full compatibility with both Mac and Windows.

TotalMix FX DSP Mixing and Monitoring

TotalMix FX, RME’s flagship digital mixer and signal router, is powered by dual DSPs and includes advanced EQ, dynamics and studio-grade reverb/echo—all at up to 192 kHz. It also doubles as a high-end monitor controller, giving you hands-on control without extra gear.

iPad Control and Class Compliant Mode

The Fireface 802 also supports Class Compliant mode and full control via the TotalMix FX app for iPad, giving you 90-channel metering and full-featured mobile mixing—even without a computer. All settings are easily managed with intuitive setup screens and deep control.

Included Software Bundle for Production and Performance

The Fireface 802 includes a powerful software bundle to get you creating right away:
• Ozone 10 Elements – Full license, all-in-one mastering tool
• True Sound Drum Pack Sampler – Premium drum sound collection (ZIP file)
• S Gear Amp Simulation Software – Full license, amp simulation plugin for guitar
• Brainworx BX Opto Compressor – Full license, optical compressor plugin
• Brainworx BX Master Desk – Full license, mastering software plugin
• Gig Performer – Full license, live performance plugin for set lists, backing tracks and more
• Modartt Pianoteq 6 – Full license, virtual piano instrument
• GG Audio Blue 3 – Full license, virtual organ plugin
• Tape It – Full license, record and share music from your iOS device
• Auto-Tune – 3-month trial, industry-standard pitch correction plugin

Built to RME Standards for Unmatched Reliability

As with every RME interface, the Fireface 802 is engineered in Germany for long-term reliability, ultra-low latency and consistent professional performance. From studio recording to live playback, it’s a trusted tool for artists and engineers who rely on stable drivers, premium converters and bulletproof design.
RME Fireface 802 USB/FireWire Audio Interface
RME Fireface 802 USB/FireWire Audio Interface
RME Fireface 802 USB/FireWire Audio Interface

collapse expand iconFeatures

  • New look with improved usability
  • Dedicated Control Room section for the main output (e. g. studio monitors) and other monitoring outputs (e. g. phones). All existing stereo output channels can be freely assigned as source for the control room section channels.
  • Four definable groups for Solo, Mute and Faders
  • Switchable Mono and Stereo channel view
  • Channel Options: Stereo Width, MS Processing, Phase L/R
  • Trim mode: Adjusts the volume for all routed signals of a channel simultaneously, equalling a hardware's trim functionality as well as a Post-FX Send function.
  • Unlimited Undo and Redo
  • Much, much more

collapse expand iconSpecs

  • Windows 8 / 7 / Vista / XP SP2 (32- and 64-bit)
  • Apple Mac OS X 10.6 or up (Core Audio)
  • Windows and Mac OS X drivers are completely identical in terms of features and functionality, as far as this is possible on the respective platform
  • Some features in DIGICheck are not available in the Mac version
  • AD, Line In 1-8, rear
  • Resolution AD: 24-bit
  • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz
  • Frequency response @ 192 kHz, -1 dB: 5 Hz - 92 kHz
  • THD: < -110 dB, < 0.00032 %
  • THD+N: < -104 dB, < 0.00063 %
  • Channel separation: > 110 dB
  • Input: 6.3 mm TRS jack, electronically balanced
  • Input sensitivity: 8 kOhm unbalanced, 12 kOhm balanced
  • Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
  • Input level for 0 dBFS @ Lo Gain: +19 dBu
  • Input level for 0 dBFS @ +4 dBu: +13 dBu
  • Microphone In 9-12, front
  • As AD, but:
  • Input: XLR, electronically balanced
  • Input impedance: 3.4 kOhm
  • Signal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA
  • Gain range: 54 dB
  • Maximum input level, Gain +6 dB: +10 dBu
  • Instrument In 9-12, front
  • As AD, but:
  • Input: 6.3 mm TS jack, unbalanced
  • Input impedance: 800 kOhm
  • Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
  • Maximum input level, Gain +6 dB: +21 dBu
  • DA, Line Out 1-8, rear
  • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
  • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz
  • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz
  • THD: -104 dB, < 0.00032 %
  • THD+N: -100 dB, < 0.00063 %
  • Channel separation: > 110 dB
  • Output: 6.3 mm TRS jack, servo-balanced
  • Output impedance: 75 Ohm
  • Output level switchable Hi Gain, +4 dBu, -10 dBV
  • Output level at 0 dBFS @ Hi Gain: +19 dBu
  • Output level at 0 dBFS @ +4 dBu: +13 dBu
  • Output level at 0 dBFS @ -10 dBV: +2 dBV

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5

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100%

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Reviewed by 1 customers

  • Great Product

    5

    Verified BuyerVerified Buyer

    submitted4 years ago

    byJames P

    fromNew York, NY

    Home recording

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