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Shure SM137 Condenser Instrument Microphone

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Description

Features
- Ultra-thin diaphragm for smooth high end and tight, controlled low end
- 15dB pad for performance consistency across a wider range of high SPL sources
- Low self-noise and transformerless preamplifier circuitry
WARNING: Cancer and Reproductive Harm www.P65Warnings.ca.gov.
Specs
- Cartridge Type: Permanently Biased Condenser
- Frequency Response: 20 to 20,000Hz
- Directional Polar Pattern: Cardioid
- Output Impedance: 150? (actual)
- Attenuation Switch (0dB or 15dB attenuation) Phantom Power: 48 VDC ± 4 VDC, (IEC-268-15/DIN 45 596), positive pins 2 and 3
- Current Drain: 5.2 mA typical at 48 VDC
- Common Mode Rejection: >50dB, 20Hz to 20kHz
- Polarity: Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3
- Dimensions: 24mm (0.950") diameter, 162mm (6.375") long
- Weight: 195g (6.9oz..)
- Sensitivity (typical, at 1000Hz; 1 Pa = 94dB SPL): -41dBV/Pa
- Self-noise (typical, equivalent SPL; A-weighted (IEC 651)): 19dB
- Maximum SPL@ 1000Hz:
- 5000? load (Attenuator on): 150 (165dB)
- 2500? load (Attenuator on): 144 (159)dB
- 1000? load (Attenuator on): 139 (154dB)
- Output Clipping Level*:
- 5000? load: 15dBV
- 2500? load: 9dBV>
- 1000? load: 3dBV
- *20Hz to 20kHz; THD < 1%. THD of the microphone preamplifier when applied input signal is equivalent to the cartridge output at specified SPL.
Dynamic Range (Attenuator On): - 5000? load: 133 (136)dB
- 2500? load: 128 (130dB)
- 1000? load: 122 (125)dB
- Signal to Noise Ratio**
- 75dB
- **S/N ratio is difference between 94dB SPL and equivalent SPL of self-noise A-weighted
Warranty
2 year warranty on wired mics.
Warranty terms vary. Check with manufacturer for specific product warranty.
Featured Articles
Reviews
5
3 Reviews
100%
of respondents would recommend this to a friend
- Amateur Recording1
- Home Studio1
- Performances1
- Professional Recording1
- Experienced1
- Professional Musician1
- Easy To Use2
- Good Audio2
- Compact1
- Durable1
- Lightweight1
Reviewed by 3 customers
i will buy this mic again
submitted6 years ago
byjazz
fromindianapolis
great for drums
Worth every penny--and more
Verified Buyer
submitted9 years ago
byDonovan Pressler
fromCincinnati
My favorite mic in the studio was always the Shure BG 4.0, but when it shot south, I knew that I could never be happy with anything less. If I could find one not-battery-operated, even better. The SM 137 exceeded my expectations. Noise-free, clear, natural sound. I expected to get the most advantage from my acoustic guitar, but this afternoon I used it in tandem with an SM 58 to record amplified electric. Wow. What I've been missing the last few years. It helps that I am finally recording in 24 bits, but still. I'm quite happy.
Easter Choir Miking
submitted16 years ago
byBob
fromOhio
Used this mic along with another one that I already owned to mic a 20 person choir on Easter morning. Our contemporary Praise and Worship band usually runs around 98 db on stage so I was worried that I wouldn't be able to get the choir above the music. I was wrong. The mics have a tight focused pattern that let me really zero in on the choir without picking up a lot of stage noise. My gain before feedback was great with hardly a squeak of feedback and I had to really push them to get that. Didn't use much eq at all. On of the best small diaphram mics I have ever used. The other one I already owned, I used as a drum overhead. Worked very well in that position too.
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