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Taylor 716ce Grand Symphony Acoustic-Electric Guitar Natural


Description
Taylor deluxe hardshell case included.
Body Shape
Compared to the Taylor Grand Auditorium, the Grand Symphony has a bigger, rounder lower bout and slightely wider "waist" area, and the bigger sound board (top) means more tonal output. Expect a meaty lower midrange and strong treble shimmer. A GS is best if you want a guitar with a robust low end, strong volume when strumming or flatpicking, and clear articulation in response to light fingerpicking attack.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Lutz Spruce is a naturally occuring hybrid of Sitka and White spruce. Sitka is the most prevalent guitar top wood of the modern era because it blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Lutz spruce takes these attributes and blends them with those of White and Englemann spruce, with an end result resembling old Adirondack spruce. When combined with Taylor's bracing architecture, guitars are more powerful, richer and louder than before. Solid Indian rosewood back and sides complement the Lutz top with sound that's made it one of the most popular tone woods ever. Rosewood produces the strongest bass response among the tone woods commonly used for guitars, with a slightly scooped midrange. Rosewood's sweeping frequency range - deep lows that assert a throaty growl with sparkling highs - rings out with bell-like, high-fidelity clarity. It yields a full-range acoustic voice with complex overtones and extended sustain.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the- saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.



Features
- All solid tonewoods - Lutz spruce top, Indian rosewood body
- Pale green abalone "Reflections" fretboard inlay
- Douglas fir herringbone-style rosette and top edge trim
- Non-figured koa binding
- Weathered brown pickguard
Specs
- Body type: Grand Symphony
- Cutaway: Florentine
- Top wood: Solid Lutz spruce
- Back and sides: Solid Indian rosewood
- Bracing pattern: Taylor Performance (Standard III with relief rout)
- Body finish: Gloss 6.0
- Orientation: Right handed
- Neck shape: Taylor Standard Profile
- Nut width: 1.75 in. (44.45 mm)
- Fingerboard: Genuine West African ebony
- Neck wood: Tropical mahogany
- Scale length: 25.5 in.
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: Genuine West African ebony
- Tuning machines: Taylor nickel with nickel buttons
- Bridge: Genuine West African ebony
- Saddle and nut: Micarta "Wave"/Tusq
- Number of strings: 6
- Special features: None
- Case: Deluxe hardshell case
- Accessories: None
- Country of origin: United States
Reviews
5
2 Reviews
100%
of respondents would recommend this to a friend
- Jamming2
- Practicing2
- Recording2
- Small Venues2
- Singer Songwriter1
- Experienced2
- Consistent2
- Fun To Play2
- Good Audio2
- Good Feel2
- Stays In Tune2
Reviewed by 2 customers
Taylor 700 series with X bracing are still awesome guitars
submitted5 years ago
byRy H.
fromPhoenix, Arizona
I have been looking for that perfect guitar for my needs and I have found it. I am an intermediate level player that wanted a quality instrument to play guitar and sing with at home. I have previously owned several Taylor guitars: I most recently traded in my 714ce 2017 (X Bracing) looking for bit more low end. I tried a 717 Grand Pacific with mixed feelings; V class is different to the ear than what you're likely used to. I found the 717 to be great at single notes; but the chords seemed a little flat. This 716ce X bracing is an excellent instrument. The neck is fast and flat when combined with low action and a change to elixir lights is an excellent player. I have a heavy strumming style and a low to mid range voice and this guitar worked well for me. I wanted to include the other model reviews because I felt no one else had given those comparisons. I am 5'10 and 210lbs and play standing up; this guitar is not cumbersome to play.
Intriguing Balance and Tone
submitted6 years ago
byOdie RL
fromSt Augustine, FL
I'm someone who has been playing acoustic music 50 years, solo or in small bands. I've owned a Martin D28 for 45 years. I've owned Taylor's, a Larrivee, Ovations, a wonderful Guild, and various other guitars as well as had the opportunity to play a variety of other guitars. I'm not rich and I'm not a collector. I have, over time, found myself more and more drawn to the sound of Taylor guitars and after owning a 314ce for awhile I decided to invest in a higher end Taylor. I played plenty of them and read tons of literature. I had paralysis through analysis. Finally, I sold my 1973 Martin D28 I had owned since 1973 and sat down at my local Guitar Center and played everything on the wall. Repeatedly. The guitar that I kept coming back to was the 716ce. These things are subjective as well as objective I realize. However, this guitar has a richness and complexity of tone that truly suits my playing style and ear. I am surprised more reviews haven't been written on this guitar. It has a unique tone that I find so appealing even compared to the 8 or 9 series Taylor's and at its price point, a guitar well worth considering. It is not as fancy looking perhaps but it is still a beauty. And there is something about the Lutz spruce perhaps that brings a tonal nuance to the dance that you might want to experience before spending several thousand dollars on a great guitar. I've waited a few months to write a review in order to validate my initial opinion. This guitar sounds fantastic. I have gone to light gauge Elixer strings from the medium gauge strings recommended and frankly it has only enhanced the tone for me.
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Q&A
Have a question about this product? Our expert Gear Advisers have the answers.
submitted3 years ago
asked byDoug
fromNew Berlin, Il
Does this 716ce Florentine Taylor guitar have the V class bracing and has it been played on?
It does. It's a floor model and has been played.